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As It Is Brings Great Depression Tour to Nashville

Iris Konstant
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A great depression settled over Nashville on January 31st, when pop-punk rockers As It Is brought the “Great Depression Tour: Part 2” to the southeast. Where local Nashville venue The End, was host to this ironically raucous celebration of individuality and humanity. As the lineup consisted of artists who supported their fans regardless of their sexuality, gender identity, or mental health struggles. Because of this supporting atmosphere within The End, many within the audience found this as a chance to finally let loose amongst individuals who they could empathize with. As they realized they weren’t the only ones to struggle with depression [as is the case with As It Is’ lead singer Patty Walters] or that they weren’t the only ones to struggle with the aftermath of sexual assault [as is the case with Sharptooth’s lead singer Lauren Kashan]. It was this inclusive and supportive atmosphere coupled with the close confines of The End; which turned this from a typical concert with disconnect between artist and fan, to one which exorcised demons and sent fans off with a renewed sense of hope. 

Before the night ended however, fans packed the small dive bar to see up-and-comers Point North and Hold Close. Two respective bands who are currently burning up the charts and gaining major traction within the pop-punk communities. Thus, if you made a new year’s resolution to dig into trending artists, here’s your chance. As the rockers in Point North have not only been burning up the charts but have also just released a brand-new EP titled Retrograde. An album laden with your quintessential up-tempo pop-punk tracks but this time with an electronic twist. 

Once the boys in Point North wrapped up their set, it was clear that the crowd began to warm up both literally and figuratively. As the crowd became increasingly receptive to what each artist had to say. As it became apparent that each artist wasn’t standing on stage for the vanity of it all; but rather because they wanted to use their stage as a platform to speak out about something close to them. Nowhere was this more evident than during Sharptooth and As It Is’ respective sets, which tackled often-abysmal topics such as sexual assault and depression. 

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In their performances, both artists refused to allow such topics to overtake their stage. Instead, Lauren Kashan of Sharptooth and Patty Walters of As It Is channeled personal pain and agony to create heart-wrenching yet utterly moving performances. This display of raw honesty and genuine emotion captured the audience and inspired empathy amongst strangers. Which is a fairly refreshing approach when a majority of artists simply roll in to town, perform, and then roll out the next day. Granted, the boys in As It Is don’t strike me as your typical cookie-cutter rock stars, who perform just to get a paycheck. Especially when their latest album “The Great Depression” tackles subject matter such as stigma, mental health, and loss; topics which are pertinent and well…real to kids in this day and age; as the number of individuals diagnosed with depression alone is a staggering at 6.7% or 16.2 million individuals within the US alone (Healthline). 

By imbuing their genuine heart and soul into the performance, everyone in the room could tell and responded by giving As It Is their all; by joining in on singing songs like “The Great Depression” and “Stigma [Boys Don’t Cry]” at the top of their lungs. A sight which is common, but this time was filled with honest faces and a genuine air of healing which simply can’t be described in words. Which is why I would advocate that you go out and experience an As It Is concert for yourself; as it’s something that simply can’t be explained. It’s an emotion, a feeling, when you’re packed into a room full of empathetic hearts spilling their guts to strangers and friends alike. 

Since the boys in As It Is strived to support and foster this healing atmosphere; fans were able to find refuge from an ugly world which loomed just outside the close confines of The End. Which if you ask me is a pretty damn exceptional act; as it takes guts to come out and speak one’s truth while also offering a helping hand to those who need it most. 

Tickets for As It Is’ “The Great Depression” tour can be found here.

If you or someone you love is struggling with depression or suicidal thoughts, please don’t hesitate to reach out 1-800-SUICIDE (784-2433) or chat online at https://suicidepreventionlifeline.org/talk-to-someone-now/

The Red Jumpsuit Apparatus Break Tradition at Rocketown

Iris Konstant
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Rocketown’s White Building in Nashville has been home to pop-punk legends such as; Set It Off, Knuckle Puck, Metro Station, and Hawthorne Heights. But on July 28th, Rocketown was home to legendary rockers, The Red Jumpsuit Apparatus, who are fresh off the heels of their newest release The Awakening and opening eyes across the country to their newest debut. Joining them on their “tour de force” were newcomers RIVALS, whose lead singer Kalie Wolfe, kicked ass despite microphone problems. If anything, the microphone issues encouraged Wolfe to “bring it” and captivate the local crowd; by amping up RIVALS’ already high energy set. 

Not to be bested by their tour partners, The Red Jumpsuit Apparatus came out swinging with “Fighting Everything;” the band’s latest single from The Awakening. Followed by “Waiting;” a classic off their 2006 album Don’t You Fake It. This medley of new and old songs was planned from the jump; as lead singer Ronnie Winter announced that The Red Jumpsuit Apparatus’ set list was a “rotation of new and old.” The performance was welcomed within Rocketown’s aptly named “White Building;” as the fans packed inside were a conglomeration of die-hard RJA fans and brand-new RJA fans. Both of which were treated to a unique and genuine experience; as the Red Jumpsuit Apparatus tore up the rule book on what’s expected of legendary rockers. Instead of following decorum by performing an up-tempo song after “Cat & Mouse” [a ballad off Don’t You Fake It], The Red Jumpsuit Apparatus launched into a powerful rendition of “Your Guardian Angel.” 

The reason for breaking these long-standing traditions? Because “with a name like The Red Jumpsuit Apparatus, we don’t really care about that.” Instead, The Red Jumpsuit Apparatus cared about reaching out to fans through their music; by performing songs which meant something. Songs which carried weight and meaning to individuals interspersed throughout the crowd. An example of such, was The Red Jumpsuit Apparatus’ “Face Down;” which depicts the horrors of domestic abuse and one women’s journey to freedom from abuse. A topic which affects close to 10 million individuals annually within The United States alone (National Coalition Against Domestic Violence).

When phones lit up across the audience upon hearing the first few notes of “Face Down” it was no surprise but a somber realization; as The Red Jumpsuit Apparatus [an RIAA Platinum Certified and Billboard Charting Artist] opposed the “sex, drugs, Rock’n’Roll” script and instead opted for a performance which was raw, genuine, real

Which in the end, is what makes The Red Jumpsuit Apparatus legendary. 

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